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How to Show the Album Art in Spotify Again

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Criticism of music streaming service

Spotify, a music streaming visitor, has attracted pregnant criticism since its 2006 launch,[ane] mainly over creative person compensation. Dissimilar physical sales or downloads, which pay artists a fixed price per song or album sold, Spotify pays royalties based on the artist's "market place share"—the number of streams for their songs equally a proportion of full songs streamed on the service. Spotify distributes approximately lxx% of its total acquirement to rights holders, who then pay artists based on their individual agreements. Multiple artists have criticised the policy, most notably Thom Yorke and Taylor Swift, who temporarily withdrew their music from the service.

Spotify faces particular scrutiny due to its free service tier, which allows users to listen free with advertisements betwixt tracks. The tier has led to a variety of major anthology releases being delayed or withdrawn from the service. Spotify claims information technology benefits the industry by migrating users away from piracy and less monetized platforms and encouraging them to upgrade to paid accounts. Record labels keep a large corporeality of Spotify earnings.

Spotify has also attracted media attention for several security breaches, as well every bit for controversial moves including a meaning modify to its privacy policy, "pay-for-play" practices based on receiving money from labels for putting specific songs on pop playlists, and allegedly creating "imitation artists" for prominent playlist placement, which Spotify denies.

Business organization practices [edit]

Allegations of unfair artist compensation [edit]

Spotify, together with the music streaming industry in general, faces criticism from some artists and producers, claiming they are existence unfairly compensated for their piece of work as music sales refuse and music streaming increases.[two] Unlike physical sales or legal downloads, which pay artists a fixed price per song or anthology sold, Spotify pays royalties based on their "marketplace share"—the number of streams for their songs every bit a proportion of total songs streamed on the service. Spotify distributes approximately 70% of its full revenue to rights-holders, who volition then pay artists based on their individual agreements.[three]

The variable (and some say unsustainable)[4] nature of this compensation, has led to criticism. In a 2009 Guardian article, Helienne Lindvall wrote about why "major labels beloved Spotify", writing that the labels receive xviii% of shares from the streaming company—something that artists themselves never really go. She further wrote that "On Spotify, it seems, artists are non equal. There are indie labels that, as opposed to the majors and Merlin members, receive no advance, receive no minimum per stream, and but get a fifty% share of ad revenue on a pro-rata basis (which so far has amounted to next to zippo)."[5] In 2009, Swedish musician Magnus Uggla pulled his music from the service, stating that after six months he had earned "what a mediocre busker could earn in a day".[6]

Norwegian newspaper Dagbladet reported in 2009 that the record label Racing Junior earned only NOK 19 ($iii.00 USD) after their artists had been streamed over 55,100 times.[7] Co-ordinate to an infographic by David McCandless, an creative person on Spotify would need over four 1000000 streams per month to earn the U.S. minimum monthly wage of $1,160.[viii] In October 2011, U.S. contained characterization Projekt Records stated: "In the world I want to live in, I envision artists fairly compensated for their creations, because nosotros (the audience) believe in the value of what artists create. The artist's passion, dedication, and expression is respected and rewarded. Spotify is NOT a service that does this. Projekt will non be office of this unprincipled concept."[9]

In March 2012, Patrick Carney of The Black Keys said that "Spotify isn't fair to artists", and further commented that streaming services "are condign more than popular, but it however isn't at a point where you're able to replace royalties from record sales with the royalties from streams. For a band that makes a living selling music, it's not at a betoken where it's feasible for united states."[11] Replying to Spotify lath member Sean Parker'south claim that Spotify would make more money for the music industry than iTunes, Carney said: "That guy has $2 billion that he fabricated from figuring out means to steal royalties from artists, and that'due south the bottom line. You can't really trust anybody like that." In May 2012, British Theatre vocalizer and Biffy Clyro touring guitarist Mike Vennart stated: "I'd sooner people stole my piece of work than stream it from [Spotify]. They pay the artists virtually nothing. Literally pennies per calendar month. Yet they brand a killing. They've forced the sales way down in sure territories, which wouldn't be and then bad if the bands really got paid."[12]

Vocalizer David Byrne of Talking Heads criticized streaming services such as Spotify in October 2013, writing: "If artists have to rely almost exclusively on the income from these services, they'll exist out of work within a yr." Byrne ended his piece by admitting "I don't accept an answer."[13] In March 2014, American funk band Vulfpeck exposed a loophole in Spotify'southward royalty calculation model. The band created an album titled Sleepify, which consisted solely of silence. The band asked users to stream the album on a loop while they slept to increase the amount of coin earned. The album was pulled by Spotify in Apr 2014, citing unspecified service violation. Vulfpeck had accumulated enough streams to result in effectually $20,000 in royalties before the anthology was pulled.[14] [15] [sixteen] In July 2015, Neil Immature removed almost all of his music from Spotify and other streaming services, citing low audio quality every bit the primary reason. He stated that he did not recall his fans deserved the low quality they were receiving, and said it was bad for his music.[17] Young'due south music later returned to Spotify and other streaming services.[18]

Worldwide, thirty.000 musicians have joined the system UnionOfMusicians (UMAW). UMAW organized protests in 31 cities in March 2021 and its entrada #JusticeAtSpotify is demanding a bounty of 1 cent per stream.[nineteen] Moreover, they are asking for a fairer redistribution system, as smaller artists are disproportionately disadvantaged on Spotify.[19]

On 29 June 2021, Digital Music News released an article titled "Spotify Executive Calls Artist 'Entitled' for Requesting Payment of 1 Penny Per Stream". The article covers the story of a Spotify Inventor Jim Anderson, who on 14 June 2019 responded in front of a live audience to the full general allegation of unfair compensation when confronted about information technology past Ashley Jana, a producer/vocalizer/songwriter who happened to be recording the event.[20] Jim Anderson was described on the Sync Summit June 2019 Agenda every bit "The human who congenital out the system architecture of Spotify".[21] Ashley Jana released excerpts from his response in the form of an audio recording on YouTube on 26 November 2020.[22] Some of the comments that Jim Anderson fabricated were the following: "And so, maybe I should get downwards the entitlement route now? Or should I wait a few minutes?", "The problem is this. Spotify was created to solve a problem. The trouble was this - piracy and music distribution. The problem was to get artists' music out there to solve a problem. The trouble was non to pay people money", and "I call back that Taylor Swift doesn't need .000001 cent more a stream". Following the release of the Digital Music News article, Business Insider also released their own take on the story with their article titled "Taylor Swift 'doesn't need' to earn streaming royalties co-ordinate to a sometime Spotify boss who said the company is a distribution platform that wasn't built to pay artists coin."[23] Business Insider reported that "Spotify declined Business Insider's request for annotate".

Back up to Spotify [edit]

In June 2012, Charles Caldas, CEO of the Merlin Network (a representative body for over 10,000 contained labels), clarified that Spotify pays royalties to the music labels, and not the artists. According to Caldas, the payments Merlin's labels received from Spotify rose 250 pct from the year ending March 2011 to the year ending March 2012, while at the fourth dimension, the revenue per user was "the highest it has been since the launch of the service". Caldas said that Merlin had observed "consistent, ongoing growth on revenue per user, revenue per stream, and the total revenue" that Spotify generates for the labels it represents. "The thing about 'Spotify doesn't pay artists enough'—Spotify doesn't pay artists... They pay labels", said Caldas.[24]

Caldas also highlighted the outcome of time lag for artists, as they are not gaining an impression of Spotify's condition at the time they receive their payments. They are "getting reporting quarterly, or six-monthly, on sales that happened 6 months ago." Caldas explained that "royalty statements could be a year former".[24]

In February 2015, Music Business Worldwide reported on a French study between music trade trunk SNEP and EY that concluded that major labels kept 73% of Spotify Premium payouts, while writers/publishers received 16%, and artists received 11%.[25] Mike Masnick of Techdirt wrote: "Sure, in the past, it may take been reasonable for the labels to take on big fees for distribution, but that'south when information technology meant manufacturing tons of plastic and vinyl, and then shipping it to thousands of record stores around the globe. In this case, there'due south no manufacturing, and distribution is an "upload" button."[26]

Spotify's "artist-in-residence" assistance [edit]

In February 2012, Forbes reported on "Spotify's surreptitious weapon": musician D. A. Wallach, member of the band Chester French and former Harvard classmate of Mark Zuckerberg. He acts as Spotify'due south "creative person-in-residence" and helps Spotify "brainstorm artist-friendly applications that can be carved from the gusher of data it collects". 1 such application includes geographical data of which cities listen to artists' music the most as suitable bout locations. He told Forbes:[27]

Nosotros're working very carefully to make Spotify the almost artist-friendly visitor that has ever existed. ... Nosotros're very interested in a high level of letting artists straight connect to their fans and manage that relationship and evangelize value to their fans, and vice versa. We want to do that really elegantly, at a scale that's never existed before.

In a June interview with Hypebot, Wallach reported that $180 million of royalties was paid out in 2011 and 70% of Spotify'south revenue consisted of royalty payments. Spotify'southward growth meant that the per-stream royalty rate doubled betwixt the service'south inception and mid-2012. He said that, at the time, compared to iTunes, the average listener spends $sixty annually on music, whereas Spotify Premium users spend twice that corporeality. According to Wallach in 2012: "The growth of the platform is proportional to the royalty pay out, and since inception, we've already doubled the effective per play charge per unit."[28]

Creative person withdrawals [edit]

Thom Yorke [edit]

In July 2013, Radiohead vocaliser Thom Yorke and producer Nigel Godrich removed their ring Atoms for Peace and Yorke's solo music from Spotify. In a tweet, Yorke stated: "Make no error—new artists yous detect on #Spotify volition not go paid. Meanwhile, shareholders will presently be rolling in it. Simples." Godrich stated: "[Streaming] cannot work as a mode of supporting new artists' piece of work. Spotify and the like either take to accost that fact and change the model for new releases, or else all new music producers should exist assuming and vote with their anxiety."[29]

In an October 2013 interview with Mexican website Sopitas, Yorke said: "I experience like as musicians, nosotros need to fight the Spotify thing. I feel that, in some ways, what'due south happening in the mainstream is the last gasp of the erstwhile manufacture. Once that does finally die, which it will, something else will happen." He described Spotify equally "the concluding desperate fart of a dying corpse".[30] Spotify responded in a argument that it was "still in the early stages of a long-term projection that's already having a hugely positive effect on artists and new music", and that information technology is "100% committed to making Spotify the most artist-friendly music service possible, and are constantly talking to artists and managers about how Spotify can assist build their career".[31] In 2015, Brian Message, partner at Radiohead's management company Courtyard Management,[32] stated that he disagreed with Yorke, noting that Spotify pays seventy percent of its revenue dorsum to the music industry. He said that "Thom's upshot was that the pipage has become so jammed ... We encourage all of our artists to take a long-term approach ... Plan for the long term, empathize that it'southward a tough game."[33]

On 17 June 2016, Radiohead's 9th album, A Moon Shaped Puddle, was made bachelor on Spotify, six weeks later on it was released on paid-for streaming services including Apple Music and Tidal and Deezer. Spotify had been in "advanced discussions" with Radiohead'southward management and label to make A Moon Shaped Pool the start album available exclusively to Spotify's paid subscribers, just no understanding was reached. Spotify spokesperson Jonathan Prince stated: "Some of the approaches nosotros explored with Radiohead were new, and nosotros ultimately decided that we couldn't deliver on those approaches technologically in time for the album's release schedule."[34] In Rainbows, the only other Radiohead album not previously available on Spotify, was added on 10 June 2016.[35] Yorke's solo cloth and Atoms for Peace were re-added in Dec 2017.[36]

Taylor Swift [edit]

Taylor Swift, pictured in 2017, temporarily removed her music from Spotify.

In July 2014, Taylor Swift wrote an article in The Wall Street Journal in which she stated: "Music is art, and art is important and rare. Of import, rare things are valuable. Valuable things should be paid for. Information technology's my stance that music should not exist costless, and my prediction is that private artists and their labels volition someday determine what an album'due south toll bespeak is. I promise they don't underestimate themselves or undervalue their art."[37] On three Nov 2014, Swift removed her discography from Spotify. Swift had previously delayed the streaming of her 2012 album Cherry-red.[38] Swift stated: "I'thou not willing to contribute my life's work to an experiment that I don't feel fairly compensates the writers, producers, artists, and creators of this music. And I just don't agree with perpetuating the perception that music has no value and should be gratuitous."[39]

Spotify launched a social media campaign to persuade Swift to return and, in a statement on its website, claimed that nearly 16 million of over 40 million users had played her music in the preceding 30-twenty-four hours period.[xl] Spotify CEO Daniel Ek wrote: "Taylor Swift is absolutely right; music is art, fine art has real value, and artists deserve to be paid for information technology. ... At our current size, payouts for a top creative person like Taylor Swift (before she pulled her itemize) are on track to exceed $6 meg a year."[41] Withal, Scott Borchetta, CEO of Big Machine Records (Swift's label), disputed those figures, and claimed that Swift had received "less than $500,000" in the past 12 months of domestic streaming of her songs. A Spotify spokesperson disputed this, telling Fourth dimension that the total payout for Swift's streaming was $2 million globally.[42]

According to Ben Popper of The Verge, Borchetta's figure of $500,000 only covered Spotify'due south payment for Taylor Swift streams in the US, which is non its largest market place. Regarding the $half-dozen million effigy, Popper wrote: "As more people sign upwardly for Spotify and Taylor Swift continues her march towards space popularity, the amount she is getting paid is increasing. [Ek] took her trend line and ran it forward a year to get to the highest possible number he could quote."[43]

Co-ordinate to Borchetta, the corporeality Swift earned from streaming her videos on Vevo was greater than the payout she received from Spotify. He told Time: "The facts show that the music manufacture was much better off before Spotify striking these shores ... Don't forget this is for the almost successful artist in music today. What nearly the residue of the artists out in that location struggling to make a career? Over the last year, what Spotify has paid is the equivalent of less than 50,000 albums sold."[42]

Borchetta said in a February 2015 interview that Swift's catalog would exist permitted on a streaming service "that understands the dissimilar needs that nosotros [Swift and Big Machine Records] have," whereby "the choice to be [on the free, ad-supported tier] or not" is provided. Borchetta argued that Swift's musical oeuvre is "arguably the most important current catalog in that location is", and stated that the streaming issue is "about each individual artist, and the real mission here is to bring ... attention to it."[44] In November 2014, Borchetta stated in a radio interview that "If this fan went and purchased the record, CD, iTunes, wherever, and then their friends go, 'Why did you pay for it? It's free on Spotify', nosotros're being completely disrespectful to that superfan."[45]

In December 2015, a homemade release of Swift's song, "I Knew You Were Trouble", appeared on Spotify credited to Welsh stone band Lostprophets. The release was removed three days later on.[46]

In an interview with Music Calendar week in November 2016, Spotify's United kingdom of great britain and northern ireland head of content programming George Ergatoudis said: "I've got every reason to exist very optimistic Taylor Swift volition exist coming back to Spotify. I'm not maxim it's washed, just the indications are good, put it like that".[47] [48]

Swift collaborated with Zayn Malik for the song "I Don't Wanna Live Forever" for the flick 50 Shades Darker. The vocal, released in Dec 2016, was withheld from Spotify for ane week later its original release on competing streaming services.[49]

In June 2017, it was announced that Swift's full catalog would exist released on all streaming services, including Spotify. On social media, Swift'southward direction team stated: "In commemoration of 1989 selling over 10 million albums worldwide and the RIAA's 100 one thousand thousand vocal certification, Taylor wants to give thanks her fans by making her entire back catalog available to all streaming services."[l] Rolling Stone questioned whether the move to permit her music on all streaming services was permanent.[51] On 25 August 2017, Swift released her single "Expect What You Made Me Do"; it was made available on Spotify immediately following release.[52] However, her sixth studio album, Reputation, featuring "Look What You Fabricated Me Do", was withheld from all streaming services subsequently its 10 Nov release date,[53] [54] being made available for streaming on 1 December 2017.[55] All releases by Swift since, including Lover, Folklore, Evermore, the re-recorded Fearless and Ruby-red were all released to Spotify immediately post-obit their release.

Content withdrawals and delays [edit]

Spotify states in its support pages that: "We desire all the world's music on Spotify. However, some artists and tracks are not currently available. Sometimes agreements can't exist reached with the artist or characterization, or a alter may happen in music ownership."[56] Furthermore, in its apps, Spotify states a message for unavailable content: "The creative person or their representatives have decided not to release this album on Spotify. We are working on it and hope they will alter their mind soon."

In December 2015, Coldplay withheld A Head Full of Dreams from Spotify until one week after its release, citing that all music on Spotify is available to both paid and costless users.[57] [58] [59] Coldplay previously delayed their anthology Ghost Stories from all streaming services for four months after CD, vinyl and download release,[60] and did the same with its earlier album Mylo Xyloto.[61]

Beyoncé'due south cocky-titled album was not available until 24 November 2014, almost a year later its original release.[62] Adele's 21 was not initially bachelor on Spotify, every bit Adele wanted Spotify to brand her anthology available to paid subscribers only, but not to gratuitous users. Spotify declined her offer to avert creating separate catalogues for subscribers and non-subscribers.[63] The anthology, originally released in January 2011, became available to stream 17 months later on in June 2012.[64] In Nov 2015, the vocalist confirmed that her new album, 25, wouldn't be available for streaming on any service.[65] [66] In a series of interviews with Time, Adele stated: "I know that streaming music is the future, but information technology's not the only way to consume music. ... I can't pledge allegiance to something that I don't know how I feel about still."[67] However, the album was made bachelor for streaming seven months subsequently, in June 2016.[68]

Several bands from the 1960s and 1970s delayed their work beingness made available on Spotify or any streaming services. Until the end of 2013, Led Zeppelin's music was not available, earlier the parties reached an agreement in December.[69] In 2015, AC/DC and The Beatles allowed their music on streaming services.[70] [71] In 2018, many songs from the anthology Go Happy!! past Elvis Costello and the Attractions were removed from the site, including "New Amsterdam" and many others.

Icelandic singer Björk initially chose non to release her album Vulnicura on Spotify, maxim: "This streaming affair simply does non feel right. I don't know why, merely it just seems insane. ... To work on something for 2 or iii years and then merely, 'Oh, here it is for complimentary.' Information technology's not about the coin; it's about respect, you know? Respect for the arts and crafts and the amount of work you put into it."[72] [73]

In February 2017, Prince's music produced under the Warner Bros. label, including the albums 1999, Purple Rain, Muddy Heed, and Sign o' the Times, became available on Spotify and other streaming services.[74] [75]

In April 2017, rapper Jay Z, function-owner of streaming service Tidal, pulled his music catalog from Spotify and Apple tree Music. This was the third time the artist removed his albums from competing services, following the release of his debut album Reasonable Doubt, and after The Blueprint.[76] [77] [78] On iv December 2019, Jay Z's unabridged catalogue returned to Spotify later a ii year absence in honour of his 50th birthday.[79]

In Feb 2019, Spotify premiered in India without the catalogue of Warner Music Group and its publishing segmentation Warner/Chappell Music. Warner Music sued Spotify for using a statutory license, which applied to radio stations.[80] [81] In January 2020, Spotify signed a global publishing deal with Warner/Chappell.[82] On 1 Apr 2020, Warner Music and Spotify ended the dispute by signing a global deal for the visitor'southward recording artists.[83]

On 2 August 2019, progressive metal band Tool's catalog premiered on Spotify and other digital services for the beginning fourth dimension.[84]

In Jan 2021, Spotify removed nearly 750,000 tracks from its catalogue for having fraudulent stream totals. Distributor DistroKid has offered a counter-notification procedure for artists whose music was removed from Spotify.[85]

On one March 2021, due to the expiring distribution bargain, Thou-pop songs and releases distributed past Kakao M were removed from Spotify. Co-ordinate to the statement released by Kakao Thousand, Spotify were claimed as the political party who chose non to renew the deal.[86] On 11 March 2021, Kakao M renewed its distribution deal with Spotify.[87]

On v Baronial 2021, Blackground Records partnered with Empire Distribution to re-release almost of its discography, most notably the catalogue of R&B singer Aaliyah.[88] On twenty August 2021, Aaliyah'south 2d album, Ane in a One thousand thousand, debuted on Spotify. Earlier 2021, all of Aaliyah's Blackground albums (except for her 1994 debut album Age Ain't Null simply a Number) had never been released digitally because her uncle/manager, Barry Hankerson, had permit those releases become out of impress.[89]

In December 2021, Spotify removed albums past hundreds of comedians because of unpaid limerick royalties. The comedians are represented past Spoken Giants, an administration company for spoken-give-and-take compositions.[90]

De La Soul, Garth Brooks and Joanna Newsom are some of the few major artists withal missing from Spotify.[91] In De La Soul's example, the group did not believe that their label Tommy Male child Records was offering a fair deal, as well as the price of re-immigration the samples.[92] Brooks has an exclusive bargain with Amazon Music,[93] while Newsom'southward main catalogue is non bachelor on Spotify. She said that the streaming platform is "the banana of the music industry" and calls it "the villainous conduce of major labels".[94] The simply song bachelor on Spotify by Newsom is her cover of The Muppet Show's theme song, from the soundtrack of the 2011 picture show The Muppets.

Controversial policies and alleged behaviors [edit]

2015 privacy policy ambiguity [edit]

In August 2015, Spotify inverse its terms and privacy policy, expanding Spotify'due south lawful admission to media and location data stored on user devices. Initial concerns were raised about the policy being "far too broad without examples or vital context and particular effectually the information gathering the service is implementing", something Ek ascribed to poor communication from Spotify about the implications of the policy change. The Verge has criticised Wired's coverage (which was republished by Gizmodo) to the policy change, citing a lack of context in their reporting in terms of declining to mention opt-out and explicit consent clauses, describing it equally an "overreaction", as "FUD (Fear, Uncertainty, and Doubt)", and fearmongering.[95]

In response to concerns about the change, Ek tweeted a list of specific scenarios when this data is needed. For example, he described that access to photos is needed to upload playlist covers, and contacts for sharing tracks.[95] Afterward, Ek published a post on the Spotify blog explicitly list out the times when Spotify may ask to access this information, apologising for poor communication, and reiterating a "100 pct commit[ment] to protecting" user privacy.[96] [97]

Wired has since removed its coverage of the policy modify.[98]

Pay for Play practise and "Discovery Way" [edit]

In August 2015, Billboard reported that Spotify was amid the streaming services influenced past "pay for play", in which labels pay for songs to be placed on popular playlists followed by many users. Daniel Glass, executive of Glassnote Records, stated that playlist promotion was "a very, very large deal". Billboard referenced an v August practice, in which Universal Music Grouping hired Jay Frank as its Senior Vice President of Global Streaming Marketing, followed past an investment in Frank's marketing house DigMark, "an innovator" in pay-for-play practices that charges clients U.s.$2,000 for a six-calendar week campaign. The price goes up for playlists followed by more users, upwards to US$10,000. "For a while, Spotify didn't take a view", on the practise, according to a music label executive, just its so-new Terms of Service agreements would "[take] a stand against commercializing accounts and playlists by rank-and-file users", also as prohibit the practice of "accepting any bounty, financial or otherwise, to influence ... the content included on an business relationship or playlist". However, Billboard wrote that "policing, let solitary enforcing, these terms could be difficult", adding that loopholes tin all the same exist exploited to continue the practice.[99]

In June 2018, allegations resurfaced after the release of Drake'south new album Scorpion. According to users the songs of the artist were included in various playlists, some that were unrelated to the genre of their songs, such as gospel, ambient music and "best of British". Heavy criticism followed, with reports of some paying Spotify subscribers demanding refunds or unsubscribing. 1 of them reported to call the Federal Trade Committee to report advertising fraud.[100] [101] [102] [103]

2016–17: "Imitation artists" controversy [edit]

In August 2016, Music Business Worldwide reported that Spotify had begun paying producers to create music and placing the tracks on highly followed and pop playlists on the service. The production of the music, reportedly paid for by Spotify, was published on the service using fake artist names, and the motivation backside the practice reportedly due to creating tracks to "quality control" the mood of specific playlists and gain more favorable royalty rates than major and contained labels offer. Nonetheless, the implications of the practise meant certain rightsholders who normally earned decent payouts from being featured on such playlists were excluded.[104] Later being mentioned in an article by Vulture in July 2017,[105] a Spotify spokesperson told Billboard that "We practice not and accept never created 'faux' artists and put them on Spotify playlists. Categorically untrue, full terminate [...] We pay royalties—sound and publishing—for all tracks on Spotify, and for everything we playlist. We practice not own rights, we're not a label, all our music is licensed from rightsholders and we pay them—we don't pay ourselves".[106] However, in another report, the Music Business Worldwide publication discussed the situation, including the artists' lack of social media profiles, lack of managers, lawyers and industry relationships, the listing of owning all their own rights, the lack of appearance on other streaming services, Spotify's denial to comment regarding questions of the artists' frequent placement on playlists, royalty rates and recommendation origins, and bearding comments from "very senior figures in the music business" with declared noesis of the practise. The publication listed fifty of the acme artists under suspicion, and asked them to contact the publication to verify their authenticity, adding that "Nosotros're pretty sure A&R teams from across the globe would dear to hear about artists with no online presence who accept managed to rack up millions of Spotify plays with their showtime few tracks".[107]

2017–18: Hate Content & Hateful Deport policy [edit]

In August 2017, Spotify announced that it would remove music that promotes white nationalism from its catalogue.[108]

In May 2018, Spotify attracted criticism for its "Hate Content & Hateful Conduct policy" that removed the music of R. Kelly and XXXTentacion from its editorial and algorithmic playlists considering "When we expect at promotion, we look at bug effectually mean bear, where y'all have an artist or another creator who has washed something off-platform that is so specially out of line with our values, egregious, in a fashion that it becomes something that we don't desire to acquaintance ourselves with". R. Kelly has faced accusations of sexual corruption since the 1990s, being the subject field of numerous allegations of sexual abuse and misconduct, frequently with underage girls, while XXXTentacion was on trial for charges of false imprisonment, witness tampering, and aggravated battery of a pregnant victim.[109] This policy was revoked in June because the company accounted the original wording to be too "vague"; they stated that "Across all genres, our role is not to regulate artists. Therefore, we are moving away from implementing a policy effectually creative person bear".[110]

In Apr 2019, Spotify completely erased the discography of Blood on the Dance Floor on the grounds of detest content. This happened in the wake of accusations made by nearly ii dozen women regarding statutory rape by lead singer Dahvie Vanity.[111] While the catalogues of Lostprophets and Gary Glitter are however available on Spotify. Lostprophets' main discography and singles like Last Train Dwelling house and Rooftops (A Liberation Broadcast) are nowhere to exist institute on Spotify due to the aftermath of Ian Watkins' arrest of child pornography and rape, which lead to the ring's dissolution. As well, it is impossible to create an artist station for Gary Glitter.[112]

Removal of podcast content [edit]

In Apr 2021, Spotify announced the removal of 42 The Joe Rogan Feel episodes from their catalog including interviews with Alex Jones, Bulletproof Coffee founder Dave Asprey expressing anti-aging claims of his product, crude jokes, and interviews with Chris D'Elia. In May 2020, Spotify paid an estimated $100 million for the exclusive rights to the podcast library.[113]

Security problems [edit]

2009 security alienation [edit]

In March 2009, Spotify warned users that a security flaw discovered and fixed in December 2008 was more serious than previously idea, having compromised the password hashes of private users in Spotify's pre-December 2008 customer base of operations, also equally potentially "registration information such as your email address, birth date, gender, postal code and billing receipt details". Credit card information was not exposed, due to being handled by a secure third-party provider. Spotify brash users to alter their passwords, especially in cases where the aforementioned password was used for multiple sites.[114] [115]

2011 PC malware reports [edit]

In March 2011, Spotify temporarily removed brandish advertising on its reckoner software, after reports from users on the gratuitous service tier that a malicious advert had infected their systems. And so-named security firm Websense stated that the attack used the Blackhole exploit kit.[116] Spotify said in a argument that "Users with anti-virus software will take been protected", and "We sincerely apologise to any users affected. Nosotros'll go along working hard to ensure this does not happen again and that our users enjoy Spotify securely and in confidence."[117]

2014 security breach [edit]

In May 2014, Spotify announced it had been hacked, but stated that merely 1 user's information was accessed. It released a new Spotify app on the Android platform, replacing the former app, with Spotify chief technology officer Oskar Stål writing in a blog postal service that the upgrade was "a necessary precaution" and that no action for apps on other platforms were necessary.[118] [119]

Missing or inadequate application features [edit]

Lack of explicit content filter [edit]

Spotify is one of the few music streaming services that do not allow users to filter explicit content, which Rick Broida of CNET writes "may forestall users from opting into Spotify'south Family Programme subscription offering".[120] Nonetheless, in April 2018, Spotify added the explicit filter for lyrics to mobile and tablet versions, merely even so displays explicit album art to all users.[121] As of 2021, there is a setting for explicit music for Windows.

Limit on music library [edit]

Spotify used to limit users' music libraries to 10,000 songs.[122] [123] This acquired negative publicity on several occasions and "years of user complaints".[122] Derek Mead of Motherboard wrote in March 2016 that the limit was "insane", and suggested that Spotify, later on raising "another billion dollars" in funding, should "fix the service's most asinine limitation".[124] Chris Welch of The Verge wrote in May 2017 that "It's time for Spotify to terminate capping how much music y'all can save", further questioning "Why is at that place such an arbitrary cap?" Welch'southward commodity besides highlighted the "thousands of votes from users" on Spotify's customs forum request for a higher limit, and attached a reply from a company representative, stating "At the moment, we don't have plans to extend the "Your Music" limit. The reason is considering less than 1% of users reach it. The current limit ensures a great experience for 99% of users instead of an "OK" feel for 100%".[122]

On 26 May 2020, Spotify relented on their determination and decided to non limit user music libraries to 10,000 songs & albums. The new system just applies to the ability to salve songs and albums to user'due south Spotify library. Private playlists are still express to 10,000 songs, and users can still but download upward to 10,000 songs on each of their 5 unlike devices for offline listening.[123]

Other criticism [edit]

"Scorpion SZN" promotion [edit]

On 27 June 2018, Spotify held a "takeover" promotion (dubbed "Scorpion SZN") to promote the release of Drake's fifth studio anthology Scorpion. During the promotion, many of the service's curated playlists had their cover art modified to include photos of Drake, fifty-fifty if the playlist's topic was not associated with Drake's music. The campaign faced criticism from some users, who felt that it was excessive (especially to users not necessarily interested in Drake's music), and contradictory to Spotify Premium being promoted as an advertising-free service. It was reported that some users had successfully received refunds subsequently lament about the promotion.[125] [126]

Ministry of Sound copyright lawsuit [edit]

In September 2013, Ministry of Audio sued Spotify, alleging that user playlists mimicking the rails listings of their compilation albums were infringing on the copyrights of the albums themselves (citing the skill and effort in their compilation).[127] [128]

In 2014, the two parties reached a settlement, under which Spotify agreed to restrict the power to search for or follow the infringing playlists.[129]

Misinformation [edit]

In 2020, Spotify received criticism from anti-misinformation groups when conspiracy theorist Alex Jones appeared on The Joe Rogan Experience.[130]

In Jan 2022, 270 scientists, physicians, professors, doctors, and healthcare workers wrote an open letter of the alphabet to Spotify expressing business over "false and societally harmful assertions" on The Joe Rogan Experience and asked Spotify to "establish a articulate and public policy to moderate misinformation on its platform." The 270 signatories took issue with Joe Rogan "broadcasting misinformation, particularly regarding the COVID-19 pandemic", and more specifically "a highly controversial episode featuring guest Dr. Robert Malone (#1757). The episode has been criticized for promoting baseless conspiracy theories", including "an unfounded theory that societal leaders have 'hypnotized' the public." The signatories farther assert that "Dr. Malone is 1 of two recent JRE guests who has compared pandemic policies to the Holocaust. These deportment are not but objectionable and offensive, merely besides medically and culturally dangerous." The signatories also annotation that Malone was suspended from Twitter "for spreading misinformation about COVID-19".[131] [132]

On 25 January 2022, Neil Young demanded that his music be removed from Spotify, over the Joe Rogan COVID-19 misinformation.[133] The following solar day, while siding with Rogan, Spotify appear that it volition remove all of Young'southward music at his request. While Spotify regretted their decision, they hoped that Spotify would "welcome him back soon."[134] On 28 January, Joni Mitchell appear that she will remove her music from Spotify in support of Young.[135] On 29 Jan, James Edgeless joked on Twitter that he would release his music on Spotify unless they remove The Joe Rogan Experience podcast off the platform, while Nils Lofgren announced he will pull his music off from Spotify in support of Immature.[136] [137] [138] Podcaster and author Brené Brown also appear that she will not release any Spotify-exclusive podcasts until further notice.[139] Prince Harry and Meghan Markle, who signed a multi-twelvemonth partnership with Spotify, stated that since Apr 2021 they had likewise begun "expressing concerns" over COVID-19 misinformation on the platform.[140] On 30 January, Spotify CEO Daniel Ek announced that Spotify will place advisory warnings on podcasts that discusses COVID-xix on the platform which will redirect to an data hub on COVID-xix.[141]

Funding Defence force Technology [edit]

On nine November 2021, Spotify CEO Daniel Ek announced that Prima Materia, his investment visitor, was altruistic €100 one thousand thousand (Us$115 million) into Helsing, a European defense AI visitor. Ek also joined Helsing's lath along with its co-founders Torsten Reil, Gundbert Scherf and Niklas Köhler.[142] Helsing, writes Connie Lin, "engineers software that pieces together a real-fourth dimension picture of an 'operational surroundings' by organizing unstructured data from multiple sensors on vehicles and systems—such every bit tanks, drones, or satellites—including video feeds, thermal imaging, and sonar and radar frequencies" which "could be valuable for military reconnaissance by helping officers assess battlefield gainsay situations or identify critical targets."[143] The German DJ and techno producer Skee Mask urged his virtually 17,000 Twitter followers non to give their "last penny to such a wealthy business that apparently prefers the development of warfare instead of actual progression in the music business." Co-ordinate to Sameer Gupta, a percussionist based in Brooklyn, New York, "All that money that's being taken from artists and musicians is beingness funneled to this," referring to Helsing. "I don't know a single musician who would always say, 'That's the function of music.'"[144]

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Source: https://en.wikipedia.org/wiki/Criticism_of_Spotify

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